No Fear Shakespeare puts Shakespeare's language side-by-side with a facing-page translation into modern English—the kind of English people actually speak today.
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Yet William Wilson must still live in some form to have narrated the story. If his mortal heart does still beat, it beats in the chest of one who has killed his conscience, one who might as well be dead, but one who survives in the tomb of his own flesh. The theme of the living dead was frequented by Poe, exemplified by both Roderick and Madeline in "The Fall of the House of Usher," by the narrators of "The Premature Burial" and "The Cask of Amontillado," and by the desperate, maniacal figure in "The Man of the Crowd." In Poe we find that time itself proves distendable. It should not amaze us that Poe reaches into the gloaming with the narrative voice. In addition, readers should not be surprised that an author who posits words into the mouths of astral spirits such as Monos and Una, who sends narrators into maelstromic time-tunnels, who contemplates time as a pendulous, universal quaver, that an author such as Edgar Poe, in other words, should leave the reader wondering from whence the narrative voice issues.
Dr. Jekyll and Mr. Hyde E-Text contains the full text of Dr. Jekyll and Mr. Hyde
Utterson joins this Scotland Yard inspector after the murder of Sir Danvers Carew. They explore Hyde's loft in Soho and discover evidence of his depraved life. He is driven by professional ambition and sees the murder of Sir Danvers Carew as a way to further his career.